Daybreak Sequence by Logistics cover art

Daybreak Sequence

Logistics

30s preview

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
96/100
Pop
0/100
Length
4:18
Released
2008
Genre
Drum N Bass
Loudness
-6.4 dB
Dynamics
16.9 dB
ISRC
GBCJY0813401

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Daybreak Sequence: drum n bass, B♭ minor (3A), 174 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2008 production that still circulates in sets. More underground than 99% of Logistics's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
brighter than 80% of Logistics's catalogue
Tempo:
slower than 76% of Logistics's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood62Balanced
Groove53
Acoustic0
Instrumental96
Live14
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Daybreak Sequence in?

Daybreak Sequence by Logistics is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Daybreak Sequence?

Daybreak Sequence runs at 174 BPM.

What mixes well with Daybreak Sequence?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Daybreak Sequence good for peak time?

With energy 96 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Logistics

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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