The Epic Last Song by Skream cover art

The Epic Last Song

Skream

30s preview

Key
3A · B♭ minor
BPM
154
Half-time
77
Open Key
8m
Energy
83/100
Pop
10/100
Length
5:00
Released
2010
Genre
Dubstep
Loudness
-9.0 dB
Dynamics
16.6 dB
ISRC
GBQGW1010014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast dubstep cut, The Epic Last Song sits in B♭ minor (3A) at 154 BPM. Tonally it lands bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). A 2010 production that still circulates in sets. Brighter than 96% of Skream's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 94% of Skream's catalogue
Groove:
less groove-driven than 93% of Skream's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood82Bright
Groove46
Acoustic0
Instrumental26
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Epic Last Song in?

The Epic Last Song by Skream is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Epic Last Song?

The Epic Last Song runs at 154 BPM, a fast track.

What mixes well with The Epic Last Song?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Epic Last Song good for peak time?

With energy 83 out of 100 at 154 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 154 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 154 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dubstep

#TrackKey·BPM

More from Skream

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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