Find Me - LAAW Remix
30s preview
- Key
- 4A · F minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 9m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 2:52
- Released
- 2016
- Album
- Find Me (Remixes)
- Genre
- Drum N Bass
- Loudness
- -5.1 dB
- Dynamics
- 11.1 dB
- ISRC
- GBSXS1600149
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Find Meoriginal4A · 135
- Find Me - VIZE Remixremix4A · 128
- Find Me - Jonasu Remixremix4A · 126
- Find Me - Acousticoriginal4A · 132
- Find Me - Sigma VIP Remixremix6B · 121
- Find Me - Tom Zanetti & K.O. Kane Remixremix4B · 122
Against the original (4A at 135 BPM), this version runs 15 BPM faster in the same key.
At 150 BPM in F minor (4A), Find Me - LAAW Remix is a fast drum n bass production. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Sigma's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 87% of Sigma's catalogue
- Low end:
- more bass-heavy than 83% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Find Me - LAAW Remix in?
Find Me - LAAW Remix by Sigma is in F minor, or 4A on the Camelot wheel.
What BPM is Find Me - LAAW Remix?
Find Me - LAAW Remix runs at 150 BPM, a fast track.
What mixes well with Find Me - LAAW Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Find Me - LAAW Remix good for peak time?
With energy 68 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 150 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.