Coming Home - Acoustic
- BPM
- 76
- Double-time
- 152
- Open Key
- 5d
- Energy
- 44/100
- Pop
- 0/100
- Length
- 3:27
- Released
- 2015
- Album
- Life (Deluxe)
- Genre
- Drum N Bass
- Loudness
- -5.7 dB
- ISRC
- GBSXS1500201
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Coming Home - Parallel Remixremix11A · 93
- Coming Homeoriginal12B · 77
- Coming Home - Break Remixremix12A · 171
- Coming Home - Break Remix Dubremix11A · 171
- Coming Home - Danny Howard Dub Remixremix9A · 124
- Coming Home - M-22 Remixremix12A · 124
Against the original (12B at 77 BPM), this version runs 1 BPM slower in the same key.
A drum n bass cut, Coming Home - Acoustic sits in E major (12B) at 76 BPM. The feel is dark and steady. It is vocal-led. A 2015 production that still circulates in sets. Slower than 99% of Sigma's catalogue.
- Reach:
- more underground than 99% of Sigma's catalogue
- Energy:
- calmer than 94% of Sigma's catalogue
- Groove:
- less groove-driven than 83% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Coming Home - Acoustic in?
Coming Home - Acoustic by Sigma is in E major, or 12B on the Camelot wheel.
What BPM is Coming Home - Acoustic?
Coming Home - Acoustic runs at 76 BPM.
What mixes well with Coming Home - Acoustic?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Coming Home - Acoustic good for peak time?
With energy 44 out of 100 at 76 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 76 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 76 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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