Elk’s Point by Alix Perez cover art

Elk’s Point

Alix Perez

30s preview

Key
12A · D♭ minor
BPM
144
Half-time
72
Open Key
5m
Energy
48/100
Pop
9/100
Length
4:56
Released
2023
Genre
Drum N Bass
Loudness
-6.9 dB
Dynamics
12.0 dB
ISRC
UKEWB1600312

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 144 BPM in D♭ minor (12A), Elk’s Point is a driving up-tempo drum n bass production. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 91% of Alix Perez's catalogue. In a set it works best as a high-intensity peak cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood20Dark
Groove67
Acoustic5
Instrumental85
Live19
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Elk’s Point in?

Elk’s Point by Alix Perez is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Elk’s Point?

Elk’s Point runs at 144 BPM, a driving up-tempo track.

What mixes well with Elk’s Point?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Elk’s Point good for peak time?

With energy 48 out of 100 at 144 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 144 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 144 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Alix Perez

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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