Shake-It by Skream cover art

Shake-It

Skream

30s preview

Key
3B · D♭ major
BPM
140
Half-time
70
Open Key
8d
Energy
49/100
Pop
8/100
Length
5:25
Released
2008
Album
Skreamizm (Vol. 4)
Genre
Dubstep
Loudness
-12.5 dB
Dynamics
21.7 dB
ISRC
GBQGW0800109

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo dubstep cut, Shake-It sits in D♭ major (3B) at 140 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 2008 production that still circulates in sets. Darker than 94% of Skream's catalogue. In a set it works best as a high-intensity peak cut.

Energy:
calmer than 83% of Skream's catalogue
Low end:
more treble-tilted than 80% of Skream's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood4Dark
Groove64
Acoustic0
Instrumental76
Live17
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Shake-It in?

Shake-It by Skream is in D♭ major, or 3B on the Camelot wheel.

What BPM is Shake-It?

Shake-It runs at 140 BPM, a driving up-tempo track.

What mixes well with Shake-It?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Shake-It good for peak time?

With energy 49 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dubstep

#TrackKey·BPM

More from Skream

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.