Oskillatah
30s preview
- Key
- 9A · E minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 2m
- Energy
- 55/100
- Pop
- 15/100
- Length
- 4:50
- Released
- 2008
- Album
- Skreamizm (Vol. 4)
- Genre
- Dubstep
- Loudness
- -8.6 dB
- Dynamics
- 19.8 dB
- ISRC
- GBQGW0800104
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Oskillatah runs 140 BPM in E minor (9A), a driving up-tempo dubstep record. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 20 dB). A 2008 production that still circulates in sets. Darker than 96% of Skream's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 84% of Skream's catalogue
- Energy:
- calmer than 77% of Skream's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Oskillatah in?
Oskillatah by Skream is in E minor, or 9A on the Camelot wheel.
What BPM is Oskillatah?
Oskillatah runs at 140 BPM, a driving up-tempo track.
What mixes well with Oskillatah?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Oskillatah good for peak time?
With energy 55 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 140 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Skream
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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