Call Me Shadow - Boys Noize Remix
30s preview
- Key
- 9B · G major
- BPM
- 140
- Half-time
- 70
- Open Key
- 2d
- Energy
- 57/100
- Pop
- 27/100
- Length
- 3:50
- Released
- 2024
- Album
- Call Me Shadow (Boys Noize Remix)
- Genre
- Techno
- Loudness
- -8.0 dB
- Dynamics
- 9.1 dB
- ISRC
- QM6P42477149
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Call Me Shadow - Boys Noize Remix runs 140 BPM in G major (9B), a driving up-tempo techno record. The feel is balanced in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 92% of Boys Noize's catalogue.
- Groove:
- groovier than 92% of Boys Noize's catalogue
- Low end:
- more bass-heavy than 91% of Boys Noize's catalogue
- Reach:
- better known than 89% of Boys Noize's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Call Me Shadow - Boys Noize Remix in?
Call Me Shadow - Boys Noize Remix by Boys Noize is in G major, or 9B on the Camelot wheel.
What BPM is Call Me Shadow - Boys Noize Remix?
Call Me Shadow - Boys Noize Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Call Me Shadow - Boys Noize Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Call Me Shadow - Boys Noize Remix good for peak time?
With energy 57 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Boys Noize
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.