Blue Eyez
30s preview
- Key
- 9A · E minor
- BPM
- 141
- Half-time
- 71
- Open Key
- 2m
- Energy
- 47/100
- Pop
- 23/100
- Length
- 4:39
- Released
- 2006
- Album
- Skream! (Expanded Edition)
- Genre
- Dubstep
- Loudness
- -12.0 dB
- Dynamics
- 17.1 dB
- ISRC
- GBQGW0601001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Blue Eyez: driving up-tempo dubstep, E minor (9A), 141 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2006 production that still circulates in sets. Groovier than 97% of Skream's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 95% of Skream's catalogue
- Energy:
- calmer than 86% of Skream's catalogue
- Tempo:
- faster than 83% of Skream's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Blue Eyez in?
Blue Eyez by Skream is in E minor, or 9A on the Camelot wheel.
What BPM is Blue Eyez?
Blue Eyez runs at 141 BPM, a driving up-tempo track.
What mixes well with Blue Eyez?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Blue Eyez good for peak time?
With energy 47 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 141 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More dubstep
More from Skream
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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