Kut-Off
30s preview
- Key
- 7B · F major
- BPM
- 141
- Half-time
- 71
- Open Key
- 12d
- Energy
- 46/100
- Pop
- 16/100
- Length
- 4:33
- Released
- 2006
- Album
- Skream! (Expanded Edition)
- Genre
- Dubstep
- Loudness
- -11.0 dB
- Dynamics
- 19.8 dB
- ISRC
- GBQGW0601005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kut-Off is a driving up-tempo dubstep track in F major (7B) at 141 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2006 production that still circulates in sets. Groovier than 95% of Skream's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 90% of Skream's catalogue
- Energy:
- calmer than 88% of Skream's catalogue
- Reach:
- better known than 87% of Skream's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Kut-Off in?
Kut-Off by Skream is in F major, or 7B on the Camelot wheel.
What BPM is Kut-Off?
Kut-Off runs at 141 BPM, a driving up-tempo track.
What mixes well with Kut-Off?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Kut-Off good for peak time?
With energy 46 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 141 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More dubstep
More from Skream
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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