
Savoury Skank
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 49/100
- Pop
- 9/100
- Length
- 5:07
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -7.9 dB
- Dynamics
- 11.3 dB
- ISRC
- GB8T52200003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in F♯ minor (11A), Savoury Skank is a driving up-tempo drum n bass production. It reads as dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More bass-heavy than 87% of Calibre's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- calmer than 86% of Calibre's catalogue
- Brightness:
- darker than 86% of Calibre's catalogue
- Groove:
- groovier than 85% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Savoury Skank in?
Savoury Skank by Calibre is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Savoury Skank?
Savoury Skank runs at 140 BPM, a driving up-tempo track.
What mixes well with Savoury Skank?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Savoury Skank good for peak time?
With energy 49 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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