Manchester Nights - Original Mix
30s preview
- BPM
- 70
- Double-time
- 140
- Open Key
- 5m
- Energy
- 36/100
- Pop
- 16/100
- Length
- 3:46
- Released
- 2010
- Album
- Even If
- Genre
- Drum N Bass
- Label
- Signature Records
- Loudness
- -9.6 dB
- Dynamics
- 9.6 dB
- ISRC
- GBZSD1000014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 70 BPM in D♭ minor (12A), Manchester Nights - Original Mix is a drum n bass production. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. A 2010 production that still circulates in sets. Slower than 99% of Calibre's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 94% of Calibre's catalogue
- Groove:
- less groove-driven than 88% of Calibre's catalogue
- Reach:
- better known than 78% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Manchester Nights - Original Mix in?
Manchester Nights - Original Mix by Calibre is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Manchester Nights - Original Mix?
Manchester Nights - Original Mix runs at 70 BPM.
What mixes well with Manchester Nights - Original Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Manchester Nights - Original Mix good for peak time?
With energy 36 out of 100 at 70 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 70 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 66-74 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 70 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 70 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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