Fields of Emotion
30s preview
- Key
- 5A · C minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 10m
- Energy
- 31/100
- Pop
- 7/100
- Length
- 5:57
- Released
- 2010
- Genre
- Dubstep
- Loudness
- -9.8 dB
- Dynamics
- 20.1 dB
- ISRC
- GBQGW1010006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo dubstep cut, Fields of Emotion sits in C minor (5A) at 140 BPM. It reads as brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 20 dB). A 2010 production that still circulates in sets. Calmer than 98% of Skream's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 92% of Skream's catalogue
- Brightness:
- darker than 92% of Skream's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Fields of Emotion in?
Fields of Emotion by Skream is in C minor, or 5A on the Camelot wheel.
What BPM is Fields of Emotion?
Fields of Emotion runs at 140 BPM, a driving up-tempo track.
What mixes well with Fields of Emotion?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Fields of Emotion good for peak time?
With energy 31 out of 100 at 140 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 140 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More dubstep
More from Skream
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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