Stolen Shadow
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 11d
- Energy
- 47/100
- Pop
- 0/100
- Length
- 4:55
- Released
- 2009
- Genre
- Drum N Bass
- Loudness
- -13.0 dB
- Dynamics
- 16.4 dB
- ISRC
- GBZSU0900033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in B♭ major (6B), Stolen Shadow is a driving up-tempo drum n bass production. The feel is bright and easy. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2009 production that still circulates in sets. More underground than 99% of Calibre's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 90% of Calibre's catalogue
- Energy:
- calmer than 88% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stolen Shadow in?
Stolen Shadow by Calibre is in B♭ major, or 6B on the Camelot wheel.
What BPM is Stolen Shadow?
Stolen Shadow runs at 140 BPM, a driving up-tempo track.
What mixes well with Stolen Shadow?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Stolen Shadow good for peak time?
With energy 47 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 140 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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