Open Eye Signal - Asleep Version
30s preview
- Key
- 4A · F minor
- BPM
- 70
- Double-time
- 140
- Open Key
- 9m
- Energy
- 36/100
- Pop
- 24/100
- Length
- 11:02
- Released
- 2013
- Album
- Immunity
- Genre
- Electro
- Label
- Domino
- Loudness
- -16.7 dB
- Dynamics
- 12.3 dB
- ISRC
- GBCEL1400477
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Open Eye Signal - Remaster 2023original8B · 123
- Open Eye Signal - George FitzGerald Remixremix3A · 123
- Open Eye Signaloriginal8B · 122
- Open Eye Signal - Lord of the Isles Remixremix8B · 122
- Open Eye Signal - Luke Abbott Remixremix3A · 122
- Open Eye Signal - Nosaj Thing Remixremix4A · 122
At 70 BPM in F minor (4A), Open Eye Signal - Asleep Version is an electro production. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. Less groove-driven than 94% of Jon Hopkins's catalogue.
- Tempo:
- slower than 91% of Jon Hopkins's catalogue
- Brightness:
- darker than 90% of Jon Hopkins's catalogue
- Low end:
- more bass-heavy than 76% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Open Eye Signal - Asleep Version in?
Open Eye Signal - Asleep Version by Jon Hopkins is in F minor, or 4A on the Camelot wheel.
What BPM is Open Eye Signal - Asleep Version?
Open Eye Signal - Asleep Version runs at 70 BPM.
What mixes well with Open Eye Signal - Asleep Version?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Open Eye Signal - Asleep Version good for peak time?
With energy 36 out of 100 at 70 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 70 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 66-74 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 70 — beatmatch without a big tempo pull.
More electro
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 70 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
