Immunity
- Key
- 9B · G major
- BPM
- 140
- Half-time
- 70
- Open Key
- 2d
- Energy
- 30/100
- Pop
- 0/100
- Length
- 9:57
- Released
- 2013
- Genre
- Electro
- Label
- Domino
- Loudness
- -19.6 dB
- ISRC
- GBCEL1300090
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Immunity - Asleep Versionoriginal9B · 86
At 140 BPM in G major (9B), Immunity is a driving up-tempo electro production. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Jon Hopkins's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 84% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Immunity in?
Immunity by Jon Hopkins is in G major, or 9B on the Camelot wheel.
What BPM is Immunity?
Immunity runs at 140 BPM, a driving up-tempo track.
What mixes well with Immunity?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Immunity good for peak time?
With energy 30 out of 100 at 140 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More electro
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
