Buss It
- BPM
- 137
- Open Key
- 6m
- Energy
- 44/100
- Pop
- 3/100
- Length
- 6:39
- Released
- 2021
- Genre
- Uk Garage
- Loudness
- -12.5 dB
- ISRC
- UKN6K2002056
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Buss It: driving up-tempo uk garage, A♭ minor (1A), 137 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 97% of Main Phase's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 85% of Main Phase's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Buss It in?
Buss It by Main Phase is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Buss It?
Buss It runs at 137 BPM, a driving up-tempo track.
What mixes well with Buss It?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Buss It good for peak time?
With energy 44 out of 100 at 137 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 137 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More uk garage
More from Main Phase
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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