Somebody Else
- BPM
- 135
- Open Key
- 5m
- Energy
- 80/100
- Pop
- 27/100
- Length
- 5:45
- Released
- 2020
- Genre
- Uk Garage
- Loudness
- -4.5 dB
- ISRC
- UKQNV2000108
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Somebody Else is a driving up-tempo uk garage track in D♭ minor (12A) at 135 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Somebody Else in?
Somebody Else by Sammy Virji is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Somebody Else?
Somebody Else runs at 135 BPM, a driving up-tempo track.
What mixes well with Somebody Else?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Somebody Else good for peak time?
With energy 80 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 135 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More uk garage
More from Sammy Virji
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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