SCREAM by Zed Bias cover art

SCREAM

Zed Bias

30s preview

Key
1A · A♭ minor
BPM
135
Open Key
6m
Energy
94/100
Pop
1/100
Length
5:24
Released
2025
Genre
Uk Garage
Loudness
-5.7 dB
Dynamics
14.3 dB
ISRC
QMDA72577056

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 135 BPM in A♭ minor (1A), SCREAM is a driving up-tempo uk garage production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 90% of Zed Bias's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood51Balanced
Groove77
Acoustic0
Instrumental94
Live6
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is SCREAM in?

SCREAM by Zed Bias is in A♭ minor, or 1A on the Camelot wheel.

What BPM is SCREAM?

SCREAM runs at 135 BPM, a driving up-tempo track.

What mixes well with SCREAM?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is SCREAM good for peak time?

With energy 94 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 135 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.