Green Light (feat. Kate Wild) - Flava D Remix
30s preview
- BPM
- 131
- Open Key
- 7m
- Energy
- 94/100
- Pop
- 15/100
- Length
- 3:00
- Released
- 2021
- Album
- Green Light (feat. Kate Wild) [Flava D Remix]
- Genre
- Uk Garage
- Loudness
- -4.3 dB
- Dynamics
- 11.3 dB
- ISRC
- NLZ542101523
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A peak-time tempo uk garage cut, Green Light (feat. Kate Wild) - Flava D Remix sits in E♭ minor (2A) at 131 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 86% of Flava D's catalogue.
- Energy:
- hotter than 76% of Flava D's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Green Light (feat. Kate Wild) - Flava D Remix in?
Green Light (feat. Kate Wild) - Flava D Remix by Flava D is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Green Light (feat. Kate Wild) - Flava D Remix?
Green Light (feat. Kate Wild) - Flava D Remix runs at 131 BPM, a peak-time tempo track.
What mixes well with Green Light (feat. Kate Wild) - Flava D Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Green Light (feat. Kate Wild) - Flava D Remix good for peak time?
With energy 94 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 131 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More uk garage
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Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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