The Music - Shur-I-Kan Vocal Mix Edit
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 69/100
- Pop
- 23/100
- Length
- 3:50
- Released
- 2022
- Album
- The Music (Shur-I-Kan Remixes)
- Genre
- Uk Garage
- Loudness
- -8.3 dB
- Dynamics
- 10.7 dB
- ISRC
- GB7GV2290021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Music - Vocal Mixoriginal3A · 118
- The Music - Vocal Mix Editversion1A · 118
- The Music - Shur-I-Kan Vocal Mixoriginal3B · 122
- The Music - Shur-I-Kan Instrumental Mixoriginal3B · 122
- The Music - Instrumental Mixoriginal1A · 118
- The Music - Zed Bias Dubversion7B · 126
Against the original (3A at 118 BPM), this version runs 4 BPM faster and moves the key from 3A to 3B.
At 122 BPM in D♭ major (3B), The Music - Shur-I-Kan Vocal Mix Edit is a club-tempo uk garage production. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Zed Bias's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 82% of Zed Bias's catalogue
- Tempo:
- slower than 79% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is The Music - Shur-I-Kan Vocal Mix Edit in?
The Music - Shur-I-Kan Vocal Mix Edit by Zed Bias is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Music - Shur-I-Kan Vocal Mix Edit?
The Music - Shur-I-Kan Vocal Mix Edit runs at 122 BPM, a club-tempo track.
What mixes well with The Music - Shur-I-Kan Vocal Mix Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Music - Shur-I-Kan Vocal Mix Edit good for peak time?
With energy 69 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.