Show Some Appreciation - Maddslinky Vocal Mix
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:19
- Released
- 2010
- Album
- Show Some Appreciation (feat. Jenna G)
- Genre
- Uk Garage
- Loudness
- -7.9 dB
- ISRC
- GB0271300065
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Show Some Appreciation - Show Some Appreciationoriginal10B · 122
- Show Some Appreciation - Souled Dubversion8A · 125
- Show Some Appreciation - Souled Instrumentaloriginal8B · 125
Show Some Appreciation - Maddslinky Vocal Mix is a club-tempo uk garage track in G major (9B) at 122 BPM. The groove is strong and floor-ready. A 2010 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 94% of Zed Bias's catalogue
- Brightness:
- brighter than 88% of Zed Bias's catalogue
- Tempo:
- slower than 79% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Show Some Appreciation - Maddslinky Vocal Mix in?
Show Some Appreciation - Maddslinky Vocal Mix by Zed Bias is in G major, or 9B on the Camelot wheel.
What BPM is Show Some Appreciation - Maddslinky Vocal Mix?
Show Some Appreciation - Maddslinky Vocal Mix runs at 122 BPM, a club-tempo track.
What mixes well with Show Some Appreciation - Maddslinky Vocal Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Show Some Appreciation - Maddslinky Vocal Mix good for peak time?
With energy 78 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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