Holding On - Armand Van Helden Dub Mix
30s preview
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 4:58
- Released
- 2015
- Album
- Holding On (Armand Van Helden Dub Mix)
- Genre
- House
- Loudness
- -6.0 dB
- Dynamics
- 14.9 dB
- ISRC
- GBUM71504596
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Holding On - Radio Editversion7A · 124
- Holding Onoriginal7B · 124
- Holding On - Gus Pirelli VIP 7" Disco Mixoriginal9B · 116
- Holding On - Julio Bashmore's Elevated Mixoriginal2B · 133
- Holding On - Melé Remixremix3B · 126
- Holding On - Pomo Remixremix6A · 124
Against the original (7B at 124 BPM), this version holds the same tempo and moves the key from 7B to 8B.
At 124 BPM in C major (8B), Holding On - Armand Van Helden Dub Mix is a club-tempo house production. It reads as dark and driving. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Disclosure's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Disclosure's catalogue
- Brightness:
- darker than 83% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Holding On - Armand Van Helden Dub Mix in?
Holding On - Armand Van Helden Dub Mix by Disclosure is in C major, or 8B on the Camelot wheel.
What BPM is Holding On - Armand Van Helden Dub Mix?
Holding On - Armand Van Helden Dub Mix runs at 124 BPM, a club-tempo track.
What mixes well with Holding On - Armand Van Helden Dub Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Holding On - Armand Van Helden Dub Mix good for peak time?
With energy 75 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
