Talk On The Phone by Disclosure cover art

Talk On The Phone

Disclosure

30s preview

Key
10A · B minor
BPM
135
Open Key
3m
Energy
78/100
Pop
29/100
Length
3:26
Released
2023
Album
Alchemy
Genre
House
Label
Apollo Records
Loudness
-9.9 dB
Dynamics
16.6 dB
ISRC
QM7282368390

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Talk On The Phone runs 135 BPM in B minor (10A), a driving up-tempo house record. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 98% of Disclosure's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 80% of Disclosure's catalogue
Reach:
better known than 77% of Disclosure's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood36Balanced
Groove70
Acoustic21
Instrumental6
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Talk On The Phone in?

Talk On The Phone by Disclosure is in B minor, or 10A on the Camelot wheel.

What BPM is Talk On The Phone?

Talk On The Phone runs at 135 BPM, a driving up-tempo track.

What mixes well with Talk On The Phone?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Talk On The Phone good for peak time?

With energy 78 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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