Real Badman - Bakey Remix
30s preview
- BPM
- 135
- Open Key
- 3m
- Energy
- 51/100
- Pop
- 12/100
- Length
- 4:48
- Released
- 2022
- Album
- Real Badman (Bakey Remix)
- Genre
- Uk Garage
- Loudness
- -9.8 dB
- Dynamics
- 15.0 dB
- ISRC
- UKN6K2100737
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo uk garage cut, Real Badman - Bakey Remix sits in B minor (10A) at 135 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 91% of Bakey's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 84% of Bakey's catalogue
- Low end:
- more bass-heavy than 80% of Bakey's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Real Badman - Bakey Remix in?
Real Badman - Bakey Remix by Bakey is in B minor, or 10A on the Camelot wheel.
What BPM is Real Badman - Bakey Remix?
Real Badman - Bakey Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Real Badman - Bakey Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Real Badman - Bakey Remix good for peak time?
With energy 51 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More uk garage
More from Bakey
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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