Shell Them Again by Zed Bias cover art

Shell Them Again

Zed Bias

Key
9B · G major
BPM
138
Open Key
2d
Energy
23/100
Pop
0/100
Length
3:08
Released
2024
Genre
Uk Garage
Loudness
-12.9 dB
ISRC
GBKQU2460112

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo uk garage cut, Shell Them Again sits in G major (9B) at 138 BPM. The feel is subdued and even. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. Calmer than 99% of Zed Bias's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
more underground than 99% of Zed Bias's catalogue
Groove:
groovier than 88% of Zed Bias's catalogue
Tempo:
faster than 80% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy23
Mood65Balanced
Groove81
Acoustic74
Instrumental0
Live15
Speech92

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Shell Them Again in?

Shell Them Again by Zed Bias is in G major, or 9B on the Camelot wheel.

What BPM is Shell Them Again?

Shell Them Again runs at 138 BPM, a driving up-tempo track.

What mixes well with Shell Them Again?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Shell Them Again good for peak time?

With energy 23 out of 100 at 138 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 138 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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