From Afternoon to Evening
- BPM
- 76
- Double-time
- 152
- Open Key
- 10d
- Energy
- 20/100
- Pop
- 0/100
- Length
- 8:14
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -21.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
From Afternoon to Evening is a drum n bass track in E♭ major (5B) at 76 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Calmer than 99% of Sigma's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Sigma's catalogue
- Groove:
- less groove-driven than 99% of Sigma's catalogue
- Reach:
- more underground than 99% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is From Afternoon to Evening in?
From Afternoon to Evening by Sigma is in E♭ major, or 5B on the Camelot wheel.
What BPM is From Afternoon to Evening?
From Afternoon to Evening runs at 76 BPM.
What mixes well with From Afternoon to Evening?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is From Afternoon to Evening good for peak time?
With energy 20 out of 100 at 76 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 76 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 76 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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