The Last Hour
30s preview
- BPM
- 77
- Double-time
- 154
- Open Key
- 11d
- Energy
- 14/100
- Pop
- 0/100
- Length
- 2:16
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -15.2 dB
- Dynamics
- 20.9 dB
- ISRC
- GBCJY1500170
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Last Hour: drum n bass, B♭ major (6B), 77 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2015 production that still circulates in sets. More underground than 99% of Etherwood's catalogue.
- Energy:
- calmer than 98% of Etherwood's catalogue
- Groove:
- less groove-driven than 98% of Etherwood's catalogue
- Brightness:
- darker than 98% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is The Last Hour in?
The Last Hour by Etherwood is in B♭ major, or 6B on the Camelot wheel.
What BPM is The Last Hour?
The Last Hour runs at 77 BPM.
What mixes well with The Last Hour?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is The Last Hour good for peak time?
With energy 14 out of 100 at 77 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 77 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 72-82 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 77 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 77 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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