In the Wind
30s preview
- Key
- 9B · G major
- BPM
- 65
- Double-time
- 130
- Open Key
- 2d
- Energy
- 23/100
- Pop
- 0/100
- Length
- 3:32
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -14.9 dB
- Dynamics
- 17.4 dB
- ISRC
- GBCJY1700248
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In the Wind runs 65 BPM in G major (9B), a drum n bass record. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2018 production that still circulates in sets. Slower than 99% of Etherwood's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Etherwood's catalogue
- Reach:
- more underground than 99% of Etherwood's catalogue
- Energy:
- calmer than 92% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is In the Wind in?
In the Wind by Etherwood is in G major, or 9B on the Camelot wheel.
What BPM is In the Wind?
In the Wind runs at 65 BPM.
What mixes well with In the Wind?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is In the Wind good for peak time?
With energy 23 out of 100 at 65 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 65 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 61-69 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 65 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 65 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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