These Few
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 38/100
- Pop
- 0/100
- Length
- 5:37
- Released
- 2019
- Album
- Second Sun (2019 Remastered)
- Genre
- Drum N Bass
- Loudness
- -18.1 dB
- Dynamics
- 16.9 dB
- ISRC
- GBZSD1900014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- These Feworiginal4B · 128
These Few: peak-time tempo drum n bass, A♭ major (4B), 128 BPM. It reads as subdued and even. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Calibre's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 96% of Calibre's catalogue
- Energy:
- calmer than 93% of Calibre's catalogue
- Low end:
- more bass-heavy than 84% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is These Few in?
These Few by Calibre is in A♭ major, or 4B on the Camelot wheel.
What BPM is These Few?
These Few runs at 128 BPM, a peak-time tempo track.
What mixes well with These Few?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is These Few good for peak time?
With energy 38 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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