Invisible Worlds (Lawrence Whitehead version)
30s preview
- Key
- 5A · C minor
- BPM
- 125
- Open Key
- 10m
- Energy
- 42/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -11.4 dB
- Dynamics
- 15.6 dB
- ISRC
- GBCJY2100233
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Invisible Worlds (Lawrence Whitehead version): club-tempo drum n bass, C minor (5A), 125 BPM. It is vocal-led. The timbre leans dark. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of London Elektricity's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 95% of London Elektricity's catalogue
- Energy:
- calmer than 93% of London Elektricity's catalogue
- Low end:
- more treble-tilted than 85% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Invisible Worlds (Lawrence Whitehead version) in?
Invisible Worlds (Lawrence Whitehead version) by London Elektricity is in C minor, or 5A on the Camelot wheel.
What BPM is Invisible Worlds (Lawrence Whitehead version)?
Invisible Worlds (Lawrence Whitehead version) runs at 125 BPM, a club-tempo track.
What mixes well with Invisible Worlds (Lawrence Whitehead version)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Invisible Worlds (Lawrence Whitehead version) good for peak time?
With energy 42 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 125 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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