There's a Hole in My Heart
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 53/100
- Pop
- 1/100
- Length
- 7:46
- Released
- 2017
- Genre
- House
- Loudness
- -11.2 dB
- Dynamics
- 19.8 dB
- ISRC
- US25X1800088
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in F minor (4A), There's a Hole in My Heart is a club-tempo house production. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2017 production that still circulates in sets. Calmer than 91% of Ross From Friends's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 89% of Ross From Friends's catalogue
- Low end:
- more treble-tilted than 85% of Ross From Friends's catalogue
- Reach:
- more underground than 76% of Ross From Friends's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is There's a Hole in My Heart in?
There's a Hole in My Heart by Ross From Friends is in F minor, or 4A on the Camelot wheel.
What BPM is There's a Hole in My Heart?
There's a Hole in My Heart runs at 125 BPM, a club-tempo track.
What mixes well with There's a Hole in My Heart?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is There's a Hole in My Heart good for peak time?
With energy 53 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Ross From Friends
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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