seven deadly strokes (patrick chardronnet remix)
- BPM
- 125
- Open Key
- 3d
- Energy
- 53/100
- Pop
- 0/100
- Length
- 8:12
- Released
- 2006
- Album
- 7 Deadly Strokes
- Genre
- Tech House
- Loudness
- -16.0 dB
- ISRC
- DEX340600005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- seven deadly strokes (original)original3B · 125
Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 10B.
seven deadly strokes (patrick chardronnet remix) is a club-tempo tech house track in D major (10B) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Darker than 99% of Claude VonStroke's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Claude VonStroke's catalogue
- Energy:
- calmer than 80% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is seven deadly strokes (patrick chardronnet remix) in?
seven deadly strokes (patrick chardronnet remix) by Claude VonStroke is in D major, or 10B on the Camelot wheel.
What BPM is seven deadly strokes (patrick chardronnet remix)?
seven deadly strokes (patrick chardronnet remix) runs at 125 BPM, a club-tempo track.
What mixes well with seven deadly strokes (patrick chardronnet remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is seven deadly strokes (patrick chardronnet remix) good for peak time?
With energy 53 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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