Down There (Radio Edit)
30s preview
- Key
- 7A · D minor
- BPM
- 125
- Open Key
- 12m
- Energy
- 53/100
- Pop
- 0/100
- Length
- 8:49
- Released
- 2015
- Album
- Purple EP
- Genre
- Deep House
- Loudness
- -9.4 dB
- Dynamics
- 13.2 dB
- ISRC
- NLF711505337
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Down There (Radio Edit)version10B · 125
- Down Thereoriginal10B · 125
Against the original (10B at 125 BPM), this version holds the same tempo and moves the key from 10B to 7A.
A club-tempo deep house cut, Down There (Radio Edit) sits in D minor (7A) at 125 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of NTO's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Down There (Radio Edit) in?
Down There (Radio Edit) by NTO is in D minor, or 7A on the Camelot wheel.
What BPM is Down There (Radio Edit)?
Down There (Radio Edit) runs at 125 BPM, a club-tempo track.
What mixes well with Down There (Radio Edit)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Down There (Radio Edit) good for peak time?
With energy 53 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 125 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
