Vanilla Sky
30s preview
- Key
- 1B · B major
- BPM
- 125
- Open Key
- 6d
- Energy
- 52/100
- Pop
- 16/100
- Length
- 6:41
- Released
- 2016
- Album
- DJ Mixes Single Tracks
- Genre
- Minimal
- Label
- FCKNG SERIOUS
- Loudness
- -12.8 dB
- Dynamics
- 12.8 dB
- ISRC
- DEKB71568378
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Vanilla Sky: club-tempo minimal, B major (1B), 125 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue.
- Brightness:
- brighter than 92% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 90% of Boris Brejcha's catalogue
- Energy:
- calmer than 78% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Vanilla Sky in?
Vanilla Sky by Boris Brejcha is in B major, or 1B on the Camelot wheel.
What BPM is Vanilla Sky?
Vanilla Sky runs at 125 BPM, a club-tempo track.
What mixes well with Vanilla Sky?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Vanilla Sky good for peak time?
With energy 52 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
