Dirty Dozen
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 18/100
- Pop
- 0/100
- Length
- 7:33
- Released
- 1998
- Genre
- Drum N Bass
- Loudness
- -18.9 dB
- ISRC
- GBCJY1900255
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dirty Dozen runs 125 BPM in G major (9B), a club-tempo drum n bass record. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 1998 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of London Elektricity's catalogue
- Groove:
- groovier than 98% of London Elektricity's catalogue
- Brightness:
- brighter than 81% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dirty Dozen in?
Dirty Dozen by London Elektricity is in G major, or 9B on the Camelot wheel.
What BPM is Dirty Dozen?
Dirty Dozen runs at 125 BPM, a club-tempo track.
What mixes well with Dirty Dozen?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Dirty Dozen good for peak time?
With energy 18 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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