ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) by London Elektricity cover art

ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix)

London Elektricity

Key
10A · B minor
BPM
130
Open Key
3m
Energy
60/100
Pop
0/100
Length
6:31
Released
2011
Album
ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE
Genre
Drum N Bass
Loudness
-6.3 dB
ISRC
USA371251061

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) is a peak-time tempo drum n bass track in B minor (10A) at 130 BPM. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 95% of London Elektricity's catalogue
Energy:
calmer than 86% of London Elektricity's catalogue
Tempo:
slower than 76% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood34Balanced
Groove71
Acoustic2
Instrumental0
Live32
Speech19

Frequency spectrum

amplitude · bass → treble

FAQ

What key is ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) in?

ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) by London Elektricity is in B minor, or 10A on the Camelot wheel.

What BPM is ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix)?

ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) runs at 130 BPM, a peak-time tempo track.

What mixes well with ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is ロンドンは夜8時 [LON 8PM <-> TYO 4AM] featuring AMWE (TeddyLoid Remix) good for peak time?

With energy 60 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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