Nobody To Love - Third Party Remix
30s preview
- BPM
- 128
- Open Key
- 10d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 5:17
- Released
- 2014
- Album
- Nobody To Love (Remixes 2)
- Genre
- Drum N Bass
- Loudness
- -4.3 dB
- Dynamics
- 13.8 dB
- ISRC
- GBCFZ1400079
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nobody to Love (By Luca)original5B · 175
- Nobody To Love - Extended Mixversion4B · 175
- Nobody To Love - Sigma's Future Jungle Mixoriginal5A · 175
- Nobody To Love - TS7 Remixremix4B · 127
- Nobody To Love - Instrumental Mixoriginal4B · 175
- Nobody To Love - Jakwob Remixremix4B · 125
Against the original (5B at 175 BPM), this version runs 47 BPM slower in the same key.
Nobody To Love - Third Party Remix runs 128 BPM in E♭ major (5B), a peak-time tempo drum n bass record. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of Sigma's catalogue.
- Low end:
- more treble-tilted than 99% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Nobody To Love - Third Party Remix in?
Nobody To Love - Third Party Remix by Sigma is in E♭ major, or 5B on the Camelot wheel.
What BPM is Nobody To Love - Third Party Remix?
Nobody To Love - Third Party Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Nobody To Love - Third Party Remix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Nobody To Love - Third Party Remix good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 128 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More drum n bass
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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