Nobody To Love - TS7 Remix
30s preview
- BPM
- 127
- Open Key
- 9d
- Energy
- 83/100
- Pop
- 6/100
- Length
- 4:42
- Released
- 2014
- Album
- Nobody To Love (Remixes 2)
- Genre
- Drum N Bass
- Loudness
- -6.2 dB
- Dynamics
- 10.0 dB
- ISRC
- GBCFZ1400080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nobody to Love (By Luca)original5B · 175
- Nobody To Love - Extended Mixversion4B · 175
- Nobody To Love - Sigma's Future Jungle Mixoriginal5A · 175
- Nobody To Love - Instrumental Mixoriginal4B · 175
- Nobody To Love - Jakwob Remixremix4B · 125
- Nobody To Love - TS7 Radio Editversion4B · 127
Against the original (5B at 175 BPM), this version runs 48 BPM slower and moves the key from 5B to 4B.
At 127 BPM in A♭ major (4B), Nobody To Love - TS7 Remix is a peak-time tempo drum n bass production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Brighter than 94% of Sigma's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 90% of Sigma's catalogue
- Low end:
- more bass-heavy than 76% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Nobody To Love - TS7 Remix in?
Nobody To Love - TS7 Remix by Sigma is in A♭ major, or 4B on the Camelot wheel.
What BPM is Nobody To Love - TS7 Remix?
Nobody To Love - TS7 Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Nobody To Love - TS7 Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Nobody To Love - TS7 Remix good for peak time?
With energy 83 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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