Nobody To Love - Sigma's Future Jungle Mix
30s preview
- Key
- 5A · C minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 10m
- Energy
- 78/100
- Pop
- 37/100
- Length
- 4:31
- Released
- 2014
- Album
- Nobody To Love (Remixes)
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- Dynamics
- 12.6 dB
- ISRC
- GBSXS1400077
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nobody to Love (By Luca)original5B · 175
- Nobody To Love - Extended Mixversion4B · 175
- Nobody To Love - TS7 Remixremix4B · 127
- Nobody To Love - Instrumental Mixoriginal4B · 175
- Nobody To Love - Jakwob Remixremix4B · 125
- Nobody To Love - TS7 Radio Editversion4B · 127
Nobody To Love - Sigma's Future Jungle Mix is a drum n bass track in C minor (5A) at 175 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Darker than 96% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 95% of Sigma's catalogue
- Groove:
- less groove-driven than 82% of Sigma's catalogue
- Low end:
- more treble-tilted than 77% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Nobody To Love - Sigma's Future Jungle Mix in?
Nobody To Love - Sigma's Future Jungle Mix by Sigma is in C minor, or 5A on the Camelot wheel.
What BPM is Nobody To Love - Sigma's Future Jungle Mix?
Nobody To Love - Sigma's Future Jungle Mix runs at 175 BPM.
What mixes well with Nobody To Love - Sigma's Future Jungle Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Nobody To Love - Sigma's Future Jungle Mix good for peak time?
With energy 78 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 175 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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