Gasmask - Ed Rush & Optical Remix by Ed Rush cover art

Gasmask - Ed Rush & Optical Remix

Ed Rush

Key
3A · B♭ minor
BPM
175
Half-time
88
Open Key
8m
Energy
78/100
Pop
4/100
Length
5:53
Released
2004
Album
The Remixes, Vol. 2
Genre
Drum N Bass
Loudness
-11.8 dB
ISRC
GBTKW0400142

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 175 BPM in B♭ minor (3A), Gasmask - Ed Rush & Optical Remix is a drum n bass production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Faster than 84% of Ed Rush's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
calmer than 83% of Ed Rush's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood37Balanced
Groove61
Acoustic0
Instrumental78
Live18
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Gasmask - Ed Rush & Optical Remix in?

Gasmask - Ed Rush & Optical Remix by Ed Rush is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Gasmask - Ed Rush & Optical Remix?

Gasmask - Ed Rush & Optical Remix runs at 175 BPM.

What mixes well with Gasmask - Ed Rush & Optical Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Gasmask - Ed Rush & Optical Remix good for peak time?

With energy 78 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 175 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Ed Rush

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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