I've Been Missing You
30s preview
- BPM
- 175
- Half-time
- 88
- Open Key
- 5m
- Energy
- 76/100
- Pop
- 37/100
- Length
- 4:44
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -12.2 dB
- Dynamics
- 17.4 dB
- ISRC
- FR96X2131417
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 175 BPM in D♭ minor (12A), I've Been Missing You is a drum n bass production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Darker than 97% of S.P.Y's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- better known than 97% of S.P.Y's catalogue
- Energy:
- calmer than 94% of S.P.Y's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is I've Been Missing You in?
I've Been Missing You by S.P.Y is in D♭ minor, or 12A on the Camelot wheel.
What BPM is I've Been Missing You?
I've Been Missing You runs at 175 BPM.
What mixes well with I've Been Missing You?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is I've Been Missing You good for peak time?
With energy 76 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 175 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from S.P.Y
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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