Riding the Void by S.P.Y cover art

Riding the Void

S.P.Y

30s preview

Key
11B · A major
BPM
175
Half-time
88
Open Key
4d
Energy
89/100
Pop
0/100
Length
5:58
Released
2014
Genre
Drum N Bass
Loudness
-5.5 dB
Dynamics
12.3 dB
ISRC
GBCJY1400037

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 175 BPM in A major (11B), Riding the Void is a drum n bass production. The feel is punchy, neutral in mood. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of S.P.Y's catalogue. For programming, treat it as an opener or closing-set piece.

Low end:
more bass-heavy than 94% of S.P.Y's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood45Balanced
Groove61
Acoustic1
Instrumental44
Live36
Speech34

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Riding the Void in?

Riding the Void by S.P.Y is in A major, or 11B on the Camelot wheel.

What BPM is Riding the Void?

Riding the Void runs at 175 BPM.

What mixes well with Riding the Void?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Riding the Void good for peak time?

With energy 89 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 175 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from S.P.Y

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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