Love Unlimited
30s preview
- Key
- 5A · C minor
- BPM
- 170
- Half-time
- 85
- Open Key
- 10m
- Energy
- 93/100
- Pop
- 23/100
- Length
- 4:16
- Released
- 2017
- Genre
- Drum N Bass
- Loudness
- -3.7 dB
- Dynamics
- 15.5 dB
- ISRC
- GBCJY1700015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Love Unlimited runs 170 BPM in C minor (5A), a very fast drum n bass record. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2017 production that still circulates in sets. More treble-tilted than 94% of S.P.Y's catalogue.
- Reach:
- better known than 92% of S.P.Y's catalogue
- Brightness:
- brighter than 91% of S.P.Y's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Love Unlimited in?
Love Unlimited by S.P.Y is in C minor, or 5A on the Camelot wheel.
What BPM is Love Unlimited?
Love Unlimited runs at 170 BPM, a very fast track.
What mixes well with Love Unlimited?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Love Unlimited good for peak time?
With energy 93 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![What You Won't Do for Love [radio edit] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e02bc6a593d8441943bcc378f41){kind=small}
How to mix it
In 5A at 170 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from S.P.Y
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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