Genetix
30s preview
- Key
- 9B · G major
- BPM
- 170
- Half-time
- 85
- Open Key
- 2d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 1997
- Album
- Mutation / Genetix
- Genre
- Drum N Bass
- Loudness
- -7.6 dB
- Dynamics
- 13.7 dB
- ISRC
- GBBZH9701802
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, Genetix sits in G major (9B) at 170 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 1997 production that still circulates in sets. More underground than 99% of Andy C's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- groovier than 92% of Andy C's catalogue
- Brightness:
- brighter than 84% of Andy C's catalogue
- Low end:
- more bass-heavy than 79% of Andy C's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Genetix in?
Genetix by Andy C is in G major, or 9B on the Camelot wheel.
What BPM is Genetix?
Genetix runs at 170 BPM, a very fast track.
What mixes well with Genetix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Genetix good for peak time?
With energy 94 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 170 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Andy C
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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