Cards on the Table by Nia Archives cover art

Cards on the Table

Nia Archives

30s preview

Key
11B · A major
BPM
170
Half-time
85
Open Key
4d
Energy
93/100
Pop
45/100
Length
2:57
Released
2024
Genre
Jungle
Loudness
-3.7 dB
Dynamics
8.5 dB
ISRC
GBUM72311067

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast jungle cut, Cards on the Table sits in A major (11B) at 170 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. In a set it works best as a high-intensity peak cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood44Balanced
Groove60
Acoustic1
Instrumental0
Live37
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Cards on the Table in?

Cards on the Table by Nia Archives is in A major, or 11B on the Camelot wheel.

What BPM is Cards on the Table?

Cards on the Table runs at 170 BPM, a very fast track.

What mixes well with Cards on the Table?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Cards on the Table good for peak time?

With energy 93 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 170 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#TrackKey·BPM

More jungle

More from Nia Archives

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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