Dub You Believe
30s preview
- Key
- 8B · C major
- BPM
- 170
- Half-time
- 85
- Open Key
- 1d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 1999
- Genre
- Drum N Bass
- Loudness
- -7.5 dB
- Dynamics
- 16.0 dB
- ISRC
- GBCJY9970002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 170 BPM in C major (8B), Dub You Believe is a very fast drum n bass production. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 1999 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- brighter than 96% of London Elektricity's catalogue
- Groove:
- groovier than 93% of London Elektricity's catalogue
- Energy:
- hotter than 79% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Dub You Believe in?
Dub You Believe by London Elektricity is in C major, or 8B on the Camelot wheel.
What BPM is Dub You Believe?
Dub You Believe runs at 170 BPM, a very fast track.
What mixes well with Dub You Believe?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Dub You Believe good for peak time?
With energy 94 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 170 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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