As We Enter - Break Remix
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 10/100
- Length
- 4:37
- Released
- 2020
- Album
- As We Enter (Break Remix)
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- Dynamics
- 14.1 dB
- ISRC
- QM6P42081401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, As We Enter - Break Remix sits in B minor (10A) at 170 BPM. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 81% of Break's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- better known than 79% of Break's catalogue
- Low end:
- more treble-tilted than 77% of Break's catalogue
- Brightness:
- darker than 76% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is As We Enter - Break Remix in?
As We Enter - Break Remix by Break is in B minor, or 10A on the Camelot wheel.
What BPM is As We Enter - Break Remix?
As We Enter - Break Remix runs at 170 BPM, a very fast track.
What mixes well with As We Enter - Break Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is As We Enter - Break Remix good for peak time?
With energy 97 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 170 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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