Time to Fly
30s preview
- Key
- 4A · F minor
- BPM
- 169
- Half-time
- 85
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:27
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -2.6 dB
- Dynamics
- 10.0 dB
- ISRC
- GBXJH1000130
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Time to Fly: very fast drum n bass, F minor (4A), 169 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Break's catalogue.
- Energy:
- hotter than 84% of Break's catalogue
- Tempo:
- slower than 81% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Time to Fly in?
Time to Fly by Break is in F minor, or 4A on the Camelot wheel.
What BPM is Time to Fly?
Time to Fly runs at 169 BPM, a very fast track.
What mixes well with Time to Fly?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Time to Fly good for peak time?
With energy 99 out of 100 at 169 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 169 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 159-179 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 169 — beatmatch without a big tempo pull.
![ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
More drum n bass
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 169 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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