Come & Join Us
30s preview
- Key
- 6A · G minor
- BPM
- 168
- Half-time
- 84
- Open Key
- 11m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 5:45
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -3.1 dB
- Dynamics
- 12.3 dB
- ISRC
- GBRF51600021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 168 BPM in G minor (6A), Come & Join Us is a very fast drum n bass production. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More underground than 99% of Bcee's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 94% of Bcee's catalogue
- Energy:
- hotter than 92% of Bcee's catalogue
- Tempo:
- slower than 83% of Bcee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Come & Join Us in?
Come & Join Us by Bcee is in G minor, or 6A on the Camelot wheel.
What BPM is Come & Join Us?
Come & Join Us runs at 168 BPM, a very fast track.
What mixes well with Come & Join Us?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Come & Join Us good for peak time?
With energy 98 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 168 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More drum n bass
More from Bcee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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